Jesus Is Coming Again Hymn Lyrics

American patriotic song written by Julia Ward Howe

"Boxing Hymn of the Republic"

Cover of the 1863 sail music for the "Battle Hymn of the Democracy"
Lyrics	Julia Ward Howe, 1861
Music	William Steffe, 1856; arranged by James E. Greenleaf, C. S. Hall, and C. B. Marsh, 1861
Audio sample
"The Battle Hymn of the Democracy" equally performed by the U.s.a. Air Force Band file help

The "Boxing Hymn of the Republic", also known as "Mine Eyes Accept Seen the Celebrity" outside of the United States, is a pop American patriotic song by the abolitionist writer Julia Ward Howe.

Howe wrote her lyrics to the music of the song "John Brown's Body" in November 1861 and first published them in The Atlantic Monthly in February 1862. The song links the judgment of the wicked at the cease of the age (through allusions to biblical passages such as Isaiah 63:1–vi and Revelation 14:14–xix) with the American Civil State of war.

History [edit]

Oh! Brothers [edit]

The "Glory, Hallelujah" melody was a folk hymn developed in the oral hymn tradition of camp meetings in the southern United States and offset documented in the early 1800s. In the showtime known version, "Canaan'south Happy Shore," the text includes the poesy "Oh! Brothers will you lot run into me (3×)/On Canaan's happy shore?"^{[i] : 21} and chorus "At that place we'll shout and requite Him glory (3×)/For glory is His own."^[2] This developed into the familiar "Glory, celebrity, hallelujah" chorus by the 1850s. The melody and variants of these words spread across both the southern and northern United States.^[three]

As the "John Brown's Body" song [edit]

At a flag-raising ceremony at Fort Warren, near Boston, Massachusetts, on Sunday, May 12, 1861, the vocal "John Brown'due south Trunk", using the well known "Oh! Brothers" melody and the "Glory, Hallelujah" chorus, was publicly played "perchance for the first time". The American Civil War had begun the previous calendar month.

In 1890, George Kimball wrote his business relationship of how the 2nd Infantry Battalion of the Massachusetts militia, known as the "Tiger" Battalion, collectively worked out the lyrics to "John Brown'south Body." Kimball wrote:

We had a jovial Scotchman in the battalion, named John Chocolate-brown. ... [A]nd every bit he happened to conduct the identical name of the old hero of Harper'south Ferry, he became at once the barrel of his comrades. If he made his appearance a few minutes late among the working squad, or was a little tardy in falling into the company line, he was certain to be greeted with such expressions every bit "Come, old boyfriend, you ought to be at it if you are going to aid us free the slaves," or, "This tin can't be John Dark-brown—why, John Brownish is dead." And then some wag would add, in a solemn, drawling tone, as if it were his purpose to requite detail emphasis to the fact that John Dark-brown was really, actually dead: "Yes, aye, poor old John Brown is dead; his trunk lies mouldering in the grave."^[4]

According to Kimball, these sayings became past-words among the soldiers and, in a communal attempt — similar in many ways to the spontaneous composition of camp meeting songs described above — were gradually put to the tune of "Say, Brothers":

Finally ditties composed of the most nonsensical, doggerel rhymes, setting for the fact that John Brownish was dead and that his body was undergoing the process of decomposition, began to be sung to the music of the hymn in a higher place given. These ditties underwent various ramifications, until eventually the lines were reached,—

"John Brown's body lies a-mouldering in the grave,
His soul's marching on."

And,—

"He's gone to be a soldier in the regular army of the Lord,
His soul's marching on."

These lines seemed to give full general satisfaction, the idea that Brown's soul was "marching on" receiving recognition at once as having a germ of inspiration in information technology. They were sung over and over again with a great deal of gusto, the "Celebrity, hallelujah" chorus existence ever added.^[4]

Some leaders of the battalion, feeling the words were coarse and irreverent, tried to urge the adoption of more fitting lyrics, simply to no avail. The lyrics were shortly prepared for publication past members of the battalion, together with publisher C. S. Hall. They selected and polished verses they felt appropriate, and may even take enlisted the services of a local poet to help polish and create verses.^[5]

The official histories of the old Get-go Arms and of the 55th Artillery (1918) also record the Tiger Battalion's role in creating the John Brown Song, confirming the general thrust of Kimball's version with a few boosted details.^{[6] [7]}

Creation of the "Boxing Hymn" [edit]

Kimball's battalion was dispatched to Murray, Kentucky, early in the Civil War, and Julia Ward Howe heard this song during a public review of the troops exterior Washington, D.C., on Upton Hill, Virginia. Rufus R. Dawes, so in command of Company "One thousand" of the 6th Wisconsin Volunteer Infantry, stated in his memoirs that the man who started the singing was Sergeant John Ticknor of his company. Howe'due south companion at the review, the Reverend James Freeman Clarke,^[8] suggested to Howe that she write new words for the fighting men'due south vocal. Staying at the Willard Hotel in Washington on the night of November eighteen, 1861, Howe wrote the verses to the "Battle Hymn of the Republic."^[9] Of the writing of the lyrics, Howe remembered:

I went to bed that nighttime as usual, and slept, according to my wont, quite soundly. I awoke in the grayness of the morning twilight; and equally I lay waiting for the dawn, the long lines of the desired poem began to twine themselves in my mind. Having thought out all the stanzas, I said to myself, "I must get up and write these verses downwards, lest I fall asleep again and forget them." And so, with a sudden effort, I sprang out of bed, and found in the dimness an one-time stump of a pencil which I remembered to accept used the mean solar day before. I scrawled the verses virtually without looking at the paper.^[ten]

Howe'southward "Boxing Hymn of the Republic" was first published on the front folio of The Atlantic Monthly of February 1862. The sixth poetry written by Howe, which is less commonly sung, was not published at that time. The song was besides published equally a broadside in 1863 by the Supervisory Committee for Recruiting Colored Regiments in Philadelphia.

Both "John Brown" and "Battle Hymn of the Democracy" were published in Father Kemp's Old Folks Concert Tunes in 1874 and reprinted in 1889. Both songs had the same Chorus with an boosted "Glory" in the second line: "Glory! Glory! Celebrity! Hallelujah!"^[eleven]

Julia Ward Howe was married to Samuel Gridley Howe, the famed scholar in education of the blind. Samuel and Julia were also active leaders in anti-slavery politics and strong supporters of the Union. Samuel Howe was a member of the Secret Six, the group who funded John Brown's piece of work.^[12]

Score [edit]

"Canaan'south Happy Shore" has a verse and chorus of equal metrical length and both verse and chorus share an identical melody and rhythm. "John Brownish'south Trunk" has more syllables in its poetry and uses a more rhythmically active variation of the "Canaan" melody to adjust the additional words in the verse. In Howe's lyrics, the words of the poesy are packed into a yet longer line, with even more syllables than "John Brownish'south Body." The poetry still uses the same underlying melody every bit the refrain, but the addition of many dotted rhythms to the underlying melody allows for the more complex verse to fit the same melody as the comparatively short refrain.

One version of the tune, in C major, begins equally below. This is an example of the mediant-octave modal frame.

Lyrics [edit]

Howe submitted the lyrics she wrote to The Atlantic Monthly, and it was outset published in the February 1862 issue of the magazine.^{[13] [14]}

Starting time published version [edit]

Mine optics take seen the glory of the coming of the Lord;
He is trampling out the vintage where the grapes of wrath are stored;
He hath loosed the fateful lightning of His terrible swift sword:
His truth is marching on.

(Chorus)
Celebrity, glory, hallelujah!
Glory, glory, hallelujah!
Celebrity, glory, hallelujah!
His truth is marching on.

I take seen Him in the watch-fires of a hundred circling camps,
They have builded Him an altar in the evening dews and damps;
I can read His righteous sentence by the dim and flaring lamps:
His mean solar day is marching on.

(Chorus)
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, celebrity, hallelujah!
His truth is marching on.

I have read a fiery gospel writ in burnished rows of steel:
"As ye deal with my contemners, so with you my grace shall deal";
Let the Hero, built-in of woman, crush the serpent with his heel,
Since God is marching on.

(Chorus)
Glory, celebrity, hallelujah!
Celebrity, celebrity, hallelujah!
Glory, glory, hallelujah!
His truth is marching on.

He has sounded along the trumpet that shall never call retreat;
He is sifting out the hearts of men before His judgment-seat;
Oh, be swift, my soul, to answer Him! Be jubilant, my feet!
Our God is marching on.

(Chorus)
Glory, glory, hallelujah!
Celebrity, glory, hallelujah!
Glory, glory, hallelujah!
Our God is marching on.

In the dazzler of the lilies Christ was born across the sea,
With a glory in His bosom that transfigures you and me.
Every bit He died to make men holy, allow the states die to make men free,^[15]
While God is marching on.

(Chorus)
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Our God is marching on.

* Many modernistic recordings of the "Battle Hymn of the Republic" utilise the lyric "As He died to make men holy, let u.s. live to brand men costless" as opposed to the wartime lyric originally written past Julia Ward Howe: "let united states die to make men complimentary."^[16]

Other versions [edit]

Howe'southward original manuscript differed slightly from the published version. Almost significantly, information technology included a final verse:

He is coming like the celebrity of the morning on the moving ridge,
He is Wisdom to the mighty, He is Succour to the brave,
Then the world shall be His footstool, and the soul of Time His slave,
Our God is marching on.

(Chorus)
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Glory, glory, hallelujah!
Our God is marching on!

In the 1862 canvass music, the chorus always begins:

Celebrity! Glory! Hallelujah!
Glory! Glory! Glory! Hallelujah!
Celebrity! Glory! Hallelujah!"^[17]

Recordings and public performances [edit]

• The song is played by a United states of america Regular army marching band in the 1951 film The Tall Target shortly after a plot to electrocute President-elect Abraham Lincoln in April 1861, is foiled. This was several months earlier the song was actually equanimous.
• In 1953, Marian Anderson sang the vocal before a alive television audience of 60 one thousand thousand persons, circulate alive over the NBC and CBS networks, as office of The Ford 50th Anniversary Show.
• In 1960 the Mormon Tabernacle Choir won the Grammy Award for Best Performance by a Song Grouping or Chorus. The 45 rpm unmarried tape, which was arranged and edited by Columbia Records and Cleveland disk jockey Bill Randle, was a commercial success and reached #xiii on Billboard'due south Hot 100 the previous autumn. It is the choir'southward only Top 40 hit in the Hot 100.^[18]
• Information technology'south included along with her performance of "We Shall Overcome" on Joan Baez in Concert, Office ii, alive cloth recorded during Joan Baez' concert tours of early 1963.
• Judy Garland performed this song on her weekly television prove in December 1963. She originally wanted to do a dedication show for President John F. Kennedy upon his bump-off, but CBS would not let her, and then she performed the song without existence able to mention his proper name.^[xix]
• At Winston Churchill'southward funeral January 30, 1965. Churchill's favourite hymns were sung, including the "Boxing Hymn of the Republic".
• Andy Williams experienced commercial success in 1968 with an a cappella version recorded at Senator Robert Kennedy'due south funeral. Backed past the St. Charles Borromeo choir, his version reached #11 on the adult gimmicky chart and #33 on the Billboard Hot 100.^[20]
• In the motion-picture show Kelly's Heroes, Oddball is playing it (in the pelting) as his tanks run across up with Kelly and the rest of the troops.
• Anita Bryant performed it Jan 17, 1971, at the halftime bear witness of Super Basin V.
• Mormon Tabernacle Choir performed this song at the inaugural parade of President Ronald Reagan on January twenty, 1981.
• The vocal is one of the three American songs included in "An American Trilogy", a 1971 song medley written and performed by country composer Mickey Newbury. Newbury's song was popularized by Elvis Presley, who included it as a showstopper in his concerts. Presley recorded and issued "An American Trilogy" several times.
• The song is included on the Real Ale and Thunder Band'southward anthology At Vespers, recorded at St. Laurence's Parish Church building, Downton past BBC Radio Solent, 18 November 1984.
• Stryper recorded this song on their 1985 anthology Soldiers Under Command.
• It was performed in St. Paul'southward Cathedral on September 14, 2001, as part of a memorial service for those lost in the September 11, 2001 attacks.^[21]
• The Brooklyn Tabernacle Choir also sang this song at President Barack Obama's 2d Presidential Inauguration Ceremony on January 21, 2013.
• The Mother Bethel AME Church Choir from Philadelphia performed this vocal during the opening day of the Democratic National Convention on July 25, 2016.^[22]
• A U.S. military machine choir and ring performed this song at the pre-inauguration anniversary of President-Elect Donald Trump on January nineteen, 2017, at the Lincoln Memorial.
• The Naval Academy Glee Club performed this song on September i, 2018, at the funeral of Sen. John McCain at the Washington National Cathedral.
• A cover for the 2020 video game Wasteland 3 performed by Joshua James was used during a key fight section and in the official launch trailer.

Influence [edit]

Popularity and widespread utilize [edit]

In the years since the Civil War, "The Battle Hymn of the Republic" has been used oftentimes as an American patriotic song.^[23]

Cultural influences [edit]

The lyrics of "Battle Hymn of the Democracy" appear in Dr. Martin Luther King Jr.'s sermons and speeches, virtually notably in his oral communication "How Long, Non Long" from the steps of the Alabama Land Capitol building on March 25, 1965, after the successful Selma to Montgomery march, and in his last sermon "I've Been to the Mountaintop", delivered in Memphis, Tennessee on the evening of Apr 3, 1968, the night before his assassination. In fact, the latter sermon, King'south last public words, ends with the first lyrics of the "Battle Hymn": "Mine eyes take seen the glory of the coming of the Lord."

Bishop Michael B. Curry of North Carolina, after his election as the first African American Presiding Bishop of The Episcopal Church building, delivered a sermon to the Church'due south General Convention on July 3, 2015, in which the lyrics of the "Battle Hymn" framed the message of God's love. Afterward proclaiming "Glory, glory, hallelujah, His truth is marching on", a letter of the alphabet from President Barack Obama was read, congratulating Bishop Curry on his celebrated ballot.^[24] Curry is known for quoting the "Boxing Hymn" during his sermons.

The inscription "Mine eyes take seen the celebrity of the coming of the Lord" is written at the anxiety of the sculpture of the fallen soldier at the American Cemetery in Normandy, France.

The tune has played a role in many movies where patriotic music has been required, including the 1970 Globe War II war comedy Kelly's Heroes, and the 1999 sci-fi western Wild Wild Due west. Words from the kickoff verse gave John Steinbeck'south wife Carol Steinbeck the title of his 1939 masterpiece The Grapes of Wrath.^[25] The title of John Updike'south In the Beauty of the Lilies too came from this song, every bit did Terrible Swift Sword and Never Telephone call Retreat, 2 volumes in Bruce Catton'due south Centennial History of the Civil War. Terrible Swift Sword is also the proper noun of a lath wargame simulating the Battle of Gettysburg.^[26] The song was used in the anime Girls und Panzer as the tune used when members of the American-inspired fictional Saunders University High School are seen moving in their various M4 Sherman variants.

Words from the second last line of the concluding poesy are paraphrased in Leonard Cohen's song "Steer Your Way".^[27] It was originally published as a verse form in the New Yorker magazine.^[28] "As He died to make men holy, let us die to make men gratuitous" becomes "As He died to brand men holy, let us dice to brand things inexpensive".

In association with football game (soccer) [edit]

The refrain "Glory, glory, hallelujah!" has been adopted past fans of a number of sporting teams, most notably in the English language and Scottish Premier Leagues. The popular use of the tune by Tottenham Hotspur tin can be traced to September 1961 during the 1961–62 European Cup. Their beginning opponents in the competition were the Polish side Górnik Zabrze, and the Shine press described the Spurs squad as "no angels" due to their crude tackling. In the render leg at White Hart Lane, some fans then wore affections costumes at the lucifer belongings placards with slogans such as "Celebrity be to shining White Hart Lane", and the crowded started singing the refrain "Glory, glory, hallelujah" equally Spurs beat the Poles 8–1, starting the tradition at Tottenham.^[29] It was released every bit the B-side to "Ozzie's Dream" for the 1981 Loving cup Concluding.

The theme was and then picked upward by Hibernian, with Hector Nicol's release of the track "Glory, glory to the Hibees" in 1963.^{[thirty] [31]} "Celebrity, Celebrity Leeds United" was a popular chant during Leeds' 1970 FA Cup run. Manchester United fans picked it up as "Glory, Celebrity Human United" during the 1983 FA Cup Final. As a outcome of its popularity with these and other British teams, it has spread internationally and to other sporting codes. An example of its reach is its popularity with fans of the Australian Rugby League team, the Due south Sydney Rabbitohs (Glory, Glory to Due south Sydney) and to A-League team Perth Celebrity. Brighton fans celebrate their 1970s fable by singing "Mine eyes accept seen the glory of the coming of the Lord, he played for Brighton and Hove Albion and his proper name is Peter Ward, etc."

Other songs set up to this melody [edit]

Some songs make use of both the melody and elements of the lyrics of "Boxing Hymn of the Republic", either in tribute or as a parody:

• "Marching Vocal of the First Arkansas" is a Civil War–era song that has a like lyrical structure to "Battle Hymn of the Republic". It has been described as "a powerful early statement of black pride, militancy, and desire for full equality, revealing the aspirations of blackness soldiers for Reconstruction every bit well as anticipating the spirit of the civil rights movement of the 1960s".^[32]
• The melody has been used with alternative lyrics numerous times. The University of Georgia'south rally song, "Glory Glory to Quondam Georgia", is based on the patriotic tune, and has been sung at American college football games since 1909. Other higher teams also utilize songs set to the same tune. One such is "Glory, Glory to One-time Auburn" at Auburn Academy. Another is "Celebrity Colorado", traditionally played by the band and sung after touchdowns scored by the Colorado Buffaloes. "Glory Colorado" has been a fight song at the University of Colorado (Boulder) for more i hundred years.
• In 1901 Mark Twain wrote "The Battle Hymn of the Republic, Updated", with the same tune as the original, every bit a comment on the Philippine–American War. It was later recorded by the Chad Mitchell Trio.
• "The Burning of the School" is a well-known parody of the vocal.^[33]
• The United States Army paratrooper song, "Claret on the Risers", first sung in World State of war Two, includes the lyrics "Gory, gory" in the lyrics, based on the original'southward "Glory, glory".
• A number of terrace songs (in clan football) are sung to the melody in Britain. About oftentimes, fans chant "Glory, Glory..." plus their team'due south proper noun: the chants have been recorded and released officially as songs past Hibernian, Tottenham, Leeds United and Manchester United. The 1994 Globe Cup official song "Gloryland" interpreted by Daryl Hall and the Sounds of Blackness has the tune of "Battle Hymn of the Democracy".^[34] In Argentine republic the St. Alban's erstwhile Pupils Assn (Old Philomathian Club) used the tune for its "Celebrity Glory Philomathians" equally well. While not heard often nowadays it is even so a cherished vocal for the Former Philomathians.
• In Australia, the most famous version of the song is used by the South Sydney Rabbitohs, an Australian rugby league lodge – "Glory Glory to S Sydney". The vocal mentions all the teams in the competition when the vocal was written, and says what Souths did to them when they played. Each verse ends with, "They wear the Cherry-red and Green".^[35]
• The parody vocal "Jesus Can't Play Rugby", popular at breezy sporting events, uses the traditional melody under improvised lyrics. Performances typically feature a call-and-response structure, wherein i performer proposes an amusing reason why Jesus Christ might be disqualified from playing rugby—e.g. "Jesus can't play rugby 'cause his dad will rig the game"—which is then repeated back by other participants (mirroring the repetitive construction of "John Brown's Trunk"), before ending with the tongue-in-cheek proclamation "Jesus saves, Jesus saves, Jesus saves". A chorus may characteristic the repeated phone call of "Free beer for all the ruggers", or, subsequently final the final verse, "Jesus, nosotros're only kidding".^[36]
• A protest song titled "Gloria, Gloria Labandera" (lit. "Gloria the Laundrywoman") was used by supporters of former Philippine president Joseph Estrada to mock Gloria Macapagal Approach later the latter assumed the presidency following Estrada's ouster from office, further deriving the "labandera" parallels to declared money laundering.^[37] While Arroyo did not listen the nickname and went on to use it for her projects, the Catholic Church took umbrage to the parody lyrics and called information technology "obscene".^[38]

Other songs simply use the melody, i.e. the tune of "John Chocolate-brown's Trunk", with no lyrical connectedness to "The Battle Hymn of the Commonwealth":

• "Solidarity Forever", a marching vocal for organized labor in the 20th century.^[39]
• The anthem of the American consumers' cooperative movement, "The Battle Hymn of Cooperation", written in 1932.
• The melody has been used as a marching vocal in the Finnish military with the words "Kalle-Kustaan muori makaa hiljaa haudassaan, ja yli haudan me marssimme näin " ("Carl Gustaf's hag lies silently in her grave, and we're marching over the grave like this").^[xl]
• The Finnish Water ice Hockey fans can exist heard singing the tune with the lyrics "Suomi tekee kohta maalin, eikä kukaan sille mitään voi" ("Finland volition soon score, and no ane can exercise anything almost it").^[41]
• The Estonian song "Kalle Kusta" uses the tune as well.
• The popular folk dance "Gólya" ("Stork"), known in several Hungarian-speaking communities in Transylvania (Romania), as well equally in Hungary proper, is prepare to the same tune. The same dance is found among the Csángós of Moldavia with a different melody, under the proper noun "Hojna"; with the Moldavian melody generally considered original, and the "Battle Hymn" tune a subsequently adaptation.^{[ commendation needed ]}
• The melody is used in British plant nursery rhyme "Little Peter Rabbit".^[42]
• The melody is used in French Canadian Christmas ballad called "Glory, Alleluia", covered by Celine Dion and others.^[43]
• The melody is used in the marching song of the Assam Regiment of the Indian Army: "Badluram ka Badan", or "Badluram's Body", its chorus being "Shabash Hallelujah" instead of "Celebrity Hallelujah". The word "Shabash" in Hindustani ways "congratulations" or "well done".
• The song "Belfast Brigade" using alternate lyrics is sung by the Lucky4 in support of the Irish Republican Army.
• The song "Upwards Went Nelson", celebrating the devastation of Nelson's Pillar in Dublin, is sung to this tune.
• The Discordian Handbook Principia Discordia has a version of the song called Boxing Hymn of the Eristocracy.^[44] It has been recorded for case by Aarni.^[45]
• The Subiaco Football Society, in the West Australian Football game League, uses the song for their squad vocal. Besides, the Casey Demons in the Victorian Football game League also currently utilize the song. The words have been adjusted due to the song mainly being written during the period of time they were called the Casey Scorpions and the Springvale Football Club. Equally well as these two clubs, the Westward Torrens Football game Club used the song until 1990, when their successor club, Woodville-Due west Torrens, currently use this vocal in the South Australian National Football League.
• The Brisbane Bears, before they merged with the Fitzroy Football game Guild, used the "Battle Hymn of the Republic" in experiment mode before eventually scrapping it in favour of the original song.
• The melody is used in the well-known Dutch children's song "Lief klein konijntje". The vocal is well-nigh a cute little rabbit that has a wing on his nose.
• The melody is used equally the theme for the Japanese electronics chain Yodobashi Camera.
• The melody is used as a nursery rhyme in Japan as ともだち讃歌 ("Tomodachi Sanka").
• The melody has been used every bit a fight song in Queen's University, named "Oil Thigh".^[46]

Other settings of the text [edit]

Irish gaelic composer Ina Boyle prepare the text for solo soprano, mixed choir and orchestra; she completed her version in 1918.^[47]

See too [edit]

• "Battle Weep of Freedom"
• "Belfast Brigade"
• "Blood on the Risers"
• Children's street culture
• "Glory, Celebrity" (Georgia fight song)
• "Solidarity Forever"
• William Weston Patton
• "Dixie", the Confederate equivalent.

References [edit]

1. ^ Stauffer, John; Soskis, Benjamin (2013). The Boxing Hymn of the Democracy: A Biography of the Song That Marches On. Oxford University Press. ISBN9780199339587.
2. ^ Stauffer & Soskis 2013, p. 18.
3. ^ Stauffer & Soskis 2013, pp. 26–27.
4. ^ ^{a b} Kimball 1890, p. 372.
5. ^ Kimball 1890, pp. 373–four.
6. ^ Cutler, Frederick Morse (1917), The former Outset Massachusetts coast artillery in war and peace (Google Books), Boston: Pilgrim Printing, pp. 105–6
7. ^ Cutler, Frederick Morse (1920), The 55th arms (CAC) in the American expeditionary forces, France, 1918 (Google Books), Worcester, MA: Commonwealth Press, pp. 261ff
8. ^ Williams, Gary. Hungry Center: The Literary Emergence of Julia Ward Howe. Amherst: University of Massachusetts Press, 1999: 208. ISBN 1-55849-157-0
9. ^ Julia Ward Howe, 1819–1910, vol. I, U Ppenn, June i, 1912, retrieved July 2, 2010 . See also footnote in To-Day, 1885 (v.3, Feb), p.88
10. ^ Howe, Julia Ward. Reminiscences: 1819–1899. Houghton, Mifflin: New York, 1899. p. 275.
11. ^ Hall, Roger 50. New England Songster. PineTree Press, 1997.
12. ^ Reynolds, David S. "John Brown Abolitionist: The Man Who Killed Slavery, Sparked the Civil War, and Seeded Civil Rights." Vintage Books, pp. 209–215.
13. ^ Howe, Julia Ward (Feb 1862). "The Battle Hymn of the Commonwealth". The Atlantic Monthly. 9 (52): 10. Retrieved Apr 26, 2015.
14. ^ Stossel, Sage (September 2001). "The Battle Hymn of the Republic". The Atlantic Monthly . Retrieved April 26, 2015.
15. ^ Howe, Julia Ward. Battle hymn of the democracy, Washington, D.C:Supervisory Committee for Recruiting Colored Regiments [north.d] "Battle hymn of the Republic. Past Mrs. Julia Ward Howe. Published by the Supervisory Committee for Recruiting Colored Regiments". Library of Congress . Retrieved June 30, 2020.
16. ^ "LDS Hymns #sixty". Hymns. Church of Jesus Christ of Latter Day Saints. Retrieved July 23, 2020.
17. ^ 1862 canvas music https://world wide web.loc.gov/resources/ihas.200000858.0/?sp=1
18. ^ "Battle Hymn of the Democracy (original version)". American music preservation. Retrieved July 2, 2010.
19. ^ Sanders, Coyne Steven (1990). Rainbow'south End: The Judy Garland Show. Zebra Books. ISBN 0-8217-3708-ii (paperback ed).
20. ^ Williams, Andy, Battle Hymn of the Commonwealth (chart positions), Music VF, retrieved June 16, 2013
21. ^ julius923 (September 13, 2009). "Battle Hymn of the Democracy – London 2001". Archived from the original on Nov ii, 2021 – via YouTube.
22. ^ "Meridian native leads choir opening DNC". Retrieved January 19, 2017.
23. ^ "Civil War Music: The Battle Hymn of the Republic". Civilwar.org. October 17, 1910. Archived from the original on August 16, 2012. Retrieved August five, 2012.
24. ^ "Video: Presiding Bishop-elect Michael Curry preaches at General Convention Closing Eucharist". July three, 2015.
25. ^ DeMott, Robert (1992). Robert DeMott's Introduction to The Grapes of Wrath . United states: Viking Penguin. p. xviii. ISBN0-14-018640-9.
26. ^ "Terrible Swift Sword: The Battle of Gettysburg – Board Game". BoardGameGeek. Retrieved August v, 2012.
27. ^ "You Want Information technology Darker" Columbia Records, released Oct. 21, 2016
28. ^ "New Yorker". The New Yorker. {{cite magazine}}: CS1 maint: url-status (link)
29. ^ Cloake, Martin (Dec 12, 2012). "The Glory Glory Nights: The Official Story of Tottenham Hotspur in Europe".
30. ^ "Hector Nicol with the Kelvin Country Dance Ring – Glory Glory To The Hi-Bees (Hibernian Supporters Song) (Vinyl, 7", 45 RPM, Single) – Discogs". Discogs . Retrieved March 22, 2019.
31. ^ "Hector Nicol – Discography & Songs – Discogs". Discogs . Retrieved March 22, 2019.
32. ^ Walls, "Marching Song", Arkansas Historical Quarterly (Wintertime 2007), 401–402.
33. ^ Dirda, Michael (November six, 1988). "Where the Sidewalk Begins". The Washington Post. p. sixteen.
34. ^ "Gloryland 1994 World Cup Song". YouTube. Archived from the original on Nov 2, 2021. Retrieved September 28, 2010.
35. ^ "Rabbitohs Club Song". South Sydney Rabbitohs.
36. ^ "Informationen zum Thema Shamrocks Rugby Volition County Rugby Chicago Rugby Manhattan Rugby". shamrockrfc.com. ^{[ dead link ]}
37. ^ "Gloria doesn't mind 'labandera' tag". Philstar.com. Philstar Global Corp. May 5, 2001. Retrieved September xviii, 2020.
38. ^ Vanzi, Sol Jose. "PHNE: Business organisation and Economy". www.newsflash.org. Retrieved July 4, 2020.
39. ^ Steffe, William (1862). "Solidarity Forever: Melody – 'Boxing Hymn of the Republic'". Musica net. Retrieved July ii, 2010.
40. ^ Uppo-Nalle (1991), Suomen kansallisfilmografia (2004), on ELONET, National Audiovisual Annal and the Finnish Board of Flick Classification, "Archived copy". Archived from the original on September 14, 2014. Retrieved September 14, 2014. {{cite web}}: CS1 maint: archived copy as championship (link)
41. ^ "Varski Varjola – Suomi tekee kohta maalin (2011)". March fourteen, 2011. Archived from the original on Nov 2, 2021 – via YouTube.
42. ^ Little Peter rabbit song (PDF), UK: Volume trust, archived from the original (PDF) on November 2, 2013
43. ^ "Céline Dion chante noël". www.celinedion.com. Retrieved Nov 24, 2020.
44. ^ "Principia Discordia – Page eleven". Principia Discordia.
45. ^ "Aarni – The Battle Hymn Of Eristocracy". October 23, 2011. Archived from the original on November two, 2021 – via YouTube.
46. ^ "Oil Thigh". Queen'southward online encyclopedia. Queen's Webmaster. Retrieved October 16, 2020.
47. ^ "Works with Orchestra". Retrieved December 14, 2016.

Sources [edit]

• Kimball, George (1890), "Origin of the John Brown Vocal", The New England Mag, new, Cornell University, 1 .

Farther reading [edit]

• Claghorn, Charles Eugene, "Boxing Hymn: The Story Behind The Battle Hymn of the Democracy". Papers of the Hymn Society of America, XXIX.
• Clifford, Deborah Pickman. 'Mine Eyes Accept Seen the Glory: A Biography of Julia Ward Howe. Boston: Niggling, Brown and Co., 1978. ISBN 0316147478
• Collins, Ace. Songs Sung, Crimson, White, and Blueish: The Stories Behind America'southward All-time-Loved Patriotic Songs. HarperResource, 2003. ISBN 0060513047
• Hall, Florence Howe. The story of the Battle hymn of the republic (Harper, 1916) online
• Hall, Roger Lee. Celebrity, Hallelujah: Civil State of war Songs and Hymns, Stoughton: PineTree Press, 2012.
• Jackson, Popular Songs of Nineteenth-Century America, annotation on "Battle Hymn of the Commonwealth", pp. 263–64.
• McWhirter, Christian. Battle Hymns: The Power and Popularity of Music in the Civil War. Chapel Hill, NC: University of North Carolina Press, 2012. ISBN 1469613670
• Scholes, Percy A. "John Dark-brown's Torso", The Oxford Companion of Music. 9th edition. London: Oxford University Press, 1955.
• Snyder, Edward D. "The Biblical Background of the 'Battle Hymn of the Republic,'" New England Quarterly (1951) 24#2, pp. 231–238 in JSTOR
• Stauffer, John, and Benjamin Soskis, eds. The Battle Hymn of the Republic: A Biography of the Song That Marches On (Oxford University Press; 2013) ISBN 978-0-19-933958-vii. 380 pages; Traces the history of the tune and lyrics & shows how the hymn has been used on later occasions
• Stutler, Boyd B. Celebrity, Glory, Hallelujah! The Story of "John Brown'due south Body" and "Battle Hymn of the Commonwealth." Cincinnati: The C. J. Krehbiel Co., 1960. OCLC 3360355
• Vowell, Sarah. "John Chocolate-brown'southward Trunk," in The Rose and the Briar: Decease, Love and Liberty in the American Ballad. Ed. by Sean Wilentz and Greil Marcus. New York: W. Westward. Norton, 2005. ISBN 0393059545

External links [edit]

Canvass music [edit]

• Free sail music of The Battle Hymn of the Republic from Cantorion.org
• 1917 Sheet Music at Duke University as part of the American Retentivity collection of the Library of Congress
• The Battle Hymn of the Republic. Facsimile of first draft

Audio [edit]

• "The Battle Hymn of the Republic", Stevenson & Stanley (Edison Amberol 79, 1908)—Cylinder Preservation and Digitization Project.
• MIDI for The Boxing Hymn of the Republic from Projection Gutenberg
• The Battle Hymn of the Republic sung at Washington National Cathedral, mourning the September 11, 2001 attacks.
• The short picture show A NATION SINGS (1963) is available for complimentary download at the Internet Annal.

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Source: https://en.wikipedia.org/wiki/Battle_Hymn_of_the_Republic

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